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How Music Unites Us: Farm Aid at 40

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Willie Nelson: “We’ve stood with our partners all these years to give farmers — the hardest working people in America — the support they need to survive against impossible odds. Their willingness to keep going is why we have to keep going.” (Farm Aid)

Lukas Nelson, Willie’s son, backstage during the event, remembering hard lessons from farm life:

“Growing up working with the land, picking cotton, helped inform [Dad’s] worldview. As a child, the elder Nelson learned what it meant to ‘get his food straight from the land.’” (Statesman)

Local Minnesota farmers, speaking at the Farmer Forum and HOMEGROWN Village, shared both concern and pride:

Concern over high input costs, climate disruptions, shrinking global markets, corporate consolidation — the pressures threatening family farms. (Farm Aid)

Pride in seeing the community and public gathering around sustainable agriculture, in seeing fair-price markets for local food, and in the hands-on learning happening in soil health, food justice, water protection. (Farm Aid)

2. Audience & Fan Reactions

  • A post-in-festival comment (via a livestream discussion) captures the emotional effect of seeing the crowd together:

    “Like, see how everyone is just standing there peacefully in awe and with love? It’s just so relaxing to see Willie.” (Reddit)

  • Another audience member reflected on discovering or re-discovering artists:

    “I’m pretty knocked out by Nathaniel Rateliff. I haven’t heard anything that interested me before but they have a great live show. He can really sing.” (Reddit)

  • From local media review: The crowd’s energy during Willie’s performances of “Whiskey River,” “Angel Flying Too Close to the Ground” was described as “a communal sing-along” where people leaned into enduring love, loss, hope — emotional chords that transcended headlines. (Statesman)

 Artist / Performer Moments that Brought Meaning Backstage & on Stage

  • John Mellencamp using songs like “Rain on the Scarecrow” not just as performance pieces, but as statements about rural struggle and economic distress in farming communities. (Statesman)
  • Billy Strings dedicating “Gild the Lily” to his wife, a former flower farmer — weaving personal life, agriculture, and love into the performance. (Statesman)
  • During backstage interviews (per the official release) artists and organizers emphasized that Farm Aid is more than music: it’s activism, connection, awareness raising. They spoke of policy, climate, fairness in agriculture, the need for systemic support. (Farm Aid)

Emotional Undercurrents: Unity Amidst Challenge

  • The tension of a potential cancellation due to a labor dispute threatened to mar the anniversary—but the resolution sparked relief and showed the depth of commitment from so many stakeholders: farmers, workers, fans. (AP News)
  • There was recurring mention of resilience — literally, how farmers keep going “when the odds seem impossible,” and metaphorically, how the event itself stood firm in the face of logistical, economic, environmental challenges. (Farm Aid)
  • At the end, the closing sing-along (“Will the Circle Be Unbroken,” “I Saw the Light”) wasn’t just a set closer. For many fans and farmers, it felt like a ritual: a reminder that we are connected — to heritage, the land, and each other. The crowd standing together in rain, voices lifted: those moments cut through distraction. (Statesman)
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Why we need a new media ecosystem

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Just listen….

Danny Schechter adapted the name “News Dissector” when he worked on air at WBCN in Boston.

He was one of the most respected documentarian and someone who couldn’t be bought.   He was one of the first people in America to bring the name Nelson Mandela into the public consciousness.

Schechter produced and directed many television specials and documentary films, including:

  • Beyond A Long Walk To Freedom (2014)
  • America’s Surveillance State (2014)
  • DeWitt Clinton HS: The School That Can Teach Them All, on the fight for Public Education (2013)
  • Who Rules America? (2012)
  • Plunder: The Crime Of Our Time (2010)
  • Barack Obama: The People’s President (2009)
  • Boob Tube: Sex, TV and Ugly George (2008)
  • Viva Madiba (2008)
  • A Work in Progress: Danny Schechter and the Journalism of Change (2007)
  • In Debt We Trust: America Before The Bubble Burst (2006)
  • WMD: Weapons of Mass Deception (2004)
  • Counting on Democracy (2004), about the 2000 Florida election recount, narrated by Ossie Davis and Ruby Dee
  • We Are Family (2002), about a benefit recording of the Sister Sledge song following the September 11, 2001 attacks; shown at the Sundance Film Festival
  • Nkosi: A Voice of Africa’s AIDS Orphans (2001), narrated by Danny Glover
  • Falun Gong’s Challenge to China (2001)
  • A Hero for All: Nelson Mandela’s Farewell (1999)
  • Globalization & Human Rights (1998)
  • Beyond Life: Timothy Leary Lives (1997)
  • The World of Elie Wiesel (1997)
  • Sowing Seeds/Reaping Peace: The World of Seeds of Peace (1996)
  • Prisoners of Hope: Reunion on Robben Island (1995), co-directed by Barbara Kopple
  • Countdown to Freedom: Ten Days that Changed South Africa (1994), narrated by James Earl Jones and Alfre Woodard
  • Sarajevo Ground Zero (1993)
  • The Living Canvas (1992), narrated by Billy Dee Williams
  • Beyond JFK: The Question of Conspiracy (1992), co-directed by Marc Levin and Barbara Kopple
  • Give Peace a Chance (1991)
  • Nelson Mandela: Free at Last (1991), PBS national broadcast
  • Mandela in America (1990)
  • The Making of Sun City (1987)
  • Student Power (1968)

Little Steven Van Zandt and Danny SchechterBooks

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Humanitarian Artists for Ukrainians

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Arts + Solidarity

The Arts as Connector

February 14th is the day the world celebrates Valentines Day.  A day of celebrating the love we have for one another–no matter where in the world we are.  Now, something special to celebrate the love for others kicks off in Southen California on February 15th.

For as long as we know, the Arts has been a catalyst for awareness and change.  From the “Sun CityRockers Against Apartheid movement produced by Steve Van Zandt, Arthur Baker and Danny Schechter to convey opposition to the South African apartheid to, to Woodstock, the No Nukes Concerts Live Aid, No Nukes and many others creators worldwide have found ways of utilizing human creativity to create awareness about human suffering, or the need to create change.”

“In the alternative art world, performance artists have championed the issues of social justice, freedom of expression and human rights. Artists such as the NEA Four, Suzanne Lacey, Barbara T. Smith and so many others have paved a way for today’s current generation of humanitarian arts-based practices.”

While the struggles and oppression continue in Ukraine and Belarus, we’ve seen little reporting on their struggles.   

One group of humanitarian artists have come together to shine the light on helping those who have nflicted from harms way. 

Pavuk (Ukrainian for “Spider”) is a collective installation and day-long performance centered on a traditional suspended straw structure symbolizing cosmic balance, protection, and interconnected life.

 

What’s happening

  • Fifteen artists from around the globe will each create one geometric element of the Pavuk and send it to Los Angeles, where the pieces will be assembled into a single monumental installation. This multinational and multigenerational group of artists, curators and organizations, are volunteering their efforts in support of a critically important cause: the survival of the Ukrainian people. 
  • Additionally, performance artists, including the legendary LA MUDPEOPLE, will activate the installation while accompanied by a durational piece by project creator, Alina Kalinouskaya, who is immobilized, bound by rope in symbolism of the struggles in Ukraine. Singer/songwriter Lali Bell performs throughout the 3-hour durational experience.
  • The 3-hour experience will be live-streamed via the Pavuk website.
  • The event takes place and is hosted by 18th Street Arts Center, in Santa Monica, California. Long a home for progressive social change,  The 18th Street Arts Center has, since its founding in 1988 been champion and home to the intersection between art and social activism.

 

Why diversity is essential.

Alina Kalinouskaya, Performance Artist

“I believe this diversity, and the project’s multidisciplinary nature, creates a sense of unity among us as humans. In addition, Olena shared information about trusted and widely recognized charitable organizations, and I selected the Prytula Foundation because I deeply respect and value the work they do.

Why it matters

Pavuk is presented in solidarity with the people of Ukraine — and as an urgent reminder to U.S. audiences that the humanitarian and political crisis remains ongoing.

  • In support of victims of the Russian invasion of Ukraine.
  • In support of individuals facing political repression for protesting the war and invasion.

The big picture

Olena Yara, Yara Studio

The structure at the center — a traditional Pavuk — represents a worldview where balance and protection emerge through relationship.

This project mirrors that principle: distributed creation → shared assembly → collective witnessing → direct support.

What to anticipate.

  • Durational performance: Alina Kalinouskaya will remain suspended in ropes for the entire day — acting as a living axis within the installation.
  • Live music: Lali Bell will perform live on guitar throughout the day, including a song composed in dedication to the people of Ukraine.

Where donations go

Visitors will be encouraged to donate directly to the Prytula Foundation, supporting its Emergency Response Program, “Light of Ukrainian Hope” — providing generators to communities where electricity has become a matter of survival.

  • Direct donations during the performance support the same emergency program.
  • Proceeds from project-related NFTs will also be donated to the program.

Credits

  • Curated by: Michael J. Masucci
  • Supported by: Yara Agency

The bottom line: Pavuk is both memorial and mechanism — a living, collective work designed to keep attention on Ukraine and route it into direct support.
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