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This week in Palestine

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Host: Yara Rashed
 Truth & Justice Radio (WZBC)

 

Oct. 5, 2025, midnight
 There is a chasm—wide and unforgiving—between those who speak truth at great personal cost and those who hide behind titles, paychecks, and polite silence. In every generation, we are given a choice: to stand with justice, even when it threatens our comfort, or to retreat into the safety of complicity, hoping history won’t notice.

Brave people do not wait for permission. They do not ask whether it’s convenient. They speak because silence is betrayal. These are the whistleblowers, the journalists who refuse to be censored, the artists who risk exile, the workers who walk out, the veterans who testify, the students who organize. They know the price—lost jobs, broken contracts, surveillance, smear campaigns. And still, they speak. Not because they are fearless, but because they are principled. Because they understand that truth is not a luxury—it’s a duty.
Then there are those who choose comfort over conscience. They write carefully worded statements that say nothing. They nod in meetings, avoid eye contact, and tell themselves it’s not their fight. They hide behind the lines of their profession, behind the pen that could have been a sword, behind the excuse that “it’s complicated.” They fear powerful political figures not because those figures are right, but because they hold the keys to their careers. They trade integrity for access. They trade justice for job security.
And the question must be asked: How do they look in the mirror every morning? How do they face their own children, knowing they stood on the wrong side of history—not out of ignorance, but out of fear? What will they say when their kids ask, “What did you do when Gaza was burning? When voices were silenced? When truth was punished?” Will they say, “I kept my head down”? Will they say, “I didn’t want to lose my job”?

The brave will say, “I spoke.”
The brave will say, “I stood.”
The brave will say, “I paid the price, and I would do it again.”

History does not remember the quiet collaborators. It remembers the disruptors. The ones who refused to be bought. The ones who chose the harder road. And while the cowards may enjoy temporary comfort, they will never know the peace that comes from doing what is right.

So to those still hiding: your silence is not neutral. It is a choice. And one day, when the world has shifted, and the truth is undeniable, you will have to answer for it—not to the powerful, but to your own reflection. To your own children. To your own soul.

And to the brave: we see you. We honor you. You are the pulse of conscience in a world that desperately needs it. Keep speaking. Keep standing. The future belongs to you.

Bob Funke, Stan Robinson, Stephen R. Low, Sofia Rose Wolman, Juliet Salameh Olivier, Dr. Bethany Marks, Dr. Rana Awwad, Tahani Abu Mosa, Reynad Alghool, and Mohammed Alghool
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Why we need a new media ecosystem

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Just listen….

Danny Schechter adapted the name “News Dissector” when he worked on air at WBCN in Boston.

He was one of the most respected documentarian and someone who couldn’t be bought.   He was one of the first people in America to bring the name Nelson Mandela into the public consciousness.

Schechter produced and directed many television specials and documentary films, including:

  • Beyond A Long Walk To Freedom (2014)
  • America’s Surveillance State (2014)
  • DeWitt Clinton HS: The School That Can Teach Them All, on the fight for Public Education (2013)
  • Who Rules America? (2012)
  • Plunder: The Crime Of Our Time (2010)
  • Barack Obama: The People’s President (2009)
  • Boob Tube: Sex, TV and Ugly George (2008)
  • Viva Madiba (2008)
  • A Work in Progress: Danny Schechter and the Journalism of Change (2007)
  • In Debt We Trust: America Before The Bubble Burst (2006)
  • WMD: Weapons of Mass Deception (2004)
  • Counting on Democracy (2004), about the 2000 Florida election recount, narrated by Ossie Davis and Ruby Dee
  • We Are Family (2002), about a benefit recording of the Sister Sledge song following the September 11, 2001 attacks; shown at the Sundance Film Festival
  • Nkosi: A Voice of Africa’s AIDS Orphans (2001), narrated by Danny Glover
  • Falun Gong’s Challenge to China (2001)
  • A Hero for All: Nelson Mandela’s Farewell (1999)
  • Globalization & Human Rights (1998)
  • Beyond Life: Timothy Leary Lives (1997)
  • The World of Elie Wiesel (1997)
  • Sowing Seeds/Reaping Peace: The World of Seeds of Peace (1996)
  • Prisoners of Hope: Reunion on Robben Island (1995), co-directed by Barbara Kopple
  • Countdown to Freedom: Ten Days that Changed South Africa (1994), narrated by James Earl Jones and Alfre Woodard
  • Sarajevo Ground Zero (1993)
  • The Living Canvas (1992), narrated by Billy Dee Williams
  • Beyond JFK: The Question of Conspiracy (1992), co-directed by Marc Levin and Barbara Kopple
  • Give Peace a Chance (1991)
  • Nelson Mandela: Free at Last (1991), PBS national broadcast
  • Mandela in America (1990)
  • The Making of Sun City (1987)
  • Student Power (1968)

Little Steven Van Zandt and Danny SchechterBooks

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Humanitarian Artists for Ukrainians

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Arts + Solidarity

The Arts as Connector

February 14th is the day the world celebrates Valentines Day.  A day of celebrating the love we have for one another–no matter where in the world we are.  Now, something special to celebrate the love for others kicks off in Southen California on February 15th.

For as long as we know, the Arts has been a catalyst for awareness and change.  From the “Sun CityRockers Against Apartheid movement produced by Steve Van Zandt, Arthur Baker and Danny Schechter to convey opposition to the South African apartheid to, to Woodstock, the No Nukes Concerts Live Aid, No Nukes and many others creators worldwide have found ways of utilizing human creativity to create awareness about human suffering, or the need to create change.”

“In the alternative art world, performance artists have championed the issues of social justice, freedom of expression and human rights. Artists such as the NEA Four, Suzanne Lacey, Barbara T. Smith and so many others have paved a way for today’s current generation of humanitarian arts-based practices.”

While the struggles and oppression continue in Ukraine and Belarus, we’ve seen little reporting on their struggles.   

One group of humanitarian artists have come together to shine the light on helping those who have nflicted from harms way. 

Pavuk (Ukrainian for “Spider”) is a collective installation and day-long performance centered on a traditional suspended straw structure symbolizing cosmic balance, protection, and interconnected life.

 

What’s happening

  • Fifteen artists from around the globe will each create one geometric element of the Pavuk and send it to Los Angeles, where the pieces will be assembled into a single monumental installation. This multinational and multigenerational group of artists, curators and organizations, are volunteering their efforts in support of a critically important cause: the survival of the Ukrainian people. 
  • Additionally, performance artists, including the legendary LA MUDPEOPLE, will activate the installation while accompanied by a durational piece by project creator, Alina Kalinouskaya, who is immobilized, bound by rope in symbolism of the struggles in Ukraine. Singer/songwriter Lali Bell performs throughout the 3-hour durational experience.
  • The 3-hour experience will be live-streamed via the Pavuk website.
  • The event takes place and is hosted by 18th Street Arts Center, in Santa Monica, California. Long a home for progressive social change,  The 18th Street Arts Center has, since its founding in 1988 been champion and home to the intersection between art and social activism.

 

Why diversity is essential.

Alina Kalinouskaya, Performance Artist

“I believe this diversity, and the project’s multidisciplinary nature, creates a sense of unity among us as humans. In addition, Olena shared information about trusted and widely recognized charitable organizations, and I selected the Prytula Foundation because I deeply respect and value the work they do.

Why it matters

Pavuk is presented in solidarity with the people of Ukraine — and as an urgent reminder to U.S. audiences that the humanitarian and political crisis remains ongoing.

  • In support of victims of the Russian invasion of Ukraine.
  • In support of individuals facing political repression for protesting the war and invasion.

The big picture

Olena Yara, Yara Studio

The structure at the center — a traditional Pavuk — represents a worldview where balance and protection emerge through relationship.

This project mirrors that principle: distributed creation → shared assembly → collective witnessing → direct support.

What to anticipate.

  • Durational performance: Alina Kalinouskaya will remain suspended in ropes for the entire day — acting as a living axis within the installation.
  • Live music: Lali Bell will perform live on guitar throughout the day, including a song composed in dedication to the people of Ukraine.

Where donations go

Visitors will be encouraged to donate directly to the Prytula Foundation, supporting its Emergency Response Program, “Light of Ukrainian Hope” — providing generators to communities where electricity has become a matter of survival.

  • Direct donations during the performance support the same emergency program.
  • Proceeds from project-related NFTs will also be donated to the program.

Credits

  • Curated by: Michael J. Masucci
  • Supported by: Yara Agency

The bottom line: Pavuk is both memorial and mechanism — a living, collective work designed to keep attention on Ukraine and route it into direct support.
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