What made Prince PRINCE?

Note from Creative Director:  I first met Howard Bloom in in 1978 or 1979.  I was a producing a weekly syndicated column for a half dozen New Jersey newspapers and a few magazines, and Howard was running the Howard Bloom Organization.  At the time, he had a very unique way of getting his clients what we called “INK.” 

The Music Industry has changed radically since them, but it was his way of getting the performing artists to reveal their heart and their souls that helped him to be the architect of hundreds of artists campaigns.  Some came to the H.B.O. to launch their careers, others came when they needed to jump start a new direction.  His clients included some of the brightest stars in the musical galaxy,  John Mellencamp. Joan Jett and the Blackhearts.  Styx.  REO Speedwagon.  Billy Idol.  You might love some of them. You might not. 

There is one thing for certain—he was able to go deep into the psyche of the artists and create campaigns that made them immortal.  Mobilized News is proud to have Howard Bloom as part of our team.  Soon you’ll be hearing more about The Howard Bloom Institute, discover his soon-to-be-released book, “The Tale of the Sexual Cosmos.”  He’s going to be a frequent guest here at Mobilized.  We hope the stories we both share will inspire and empower, inform and bring forth that very special part of you that has always been inside of you since your birth from the Cosmos.

“I have always believed that art and science are intertwined, informing and inspiring each other.”    — Michael Masucci, DNA Festival Santa Monica and EZTV Museum

Mobilized: DNA FESTIVAL sounds exhilarating. Let’s discuss its vision and why this is taking place?

Michael Masucci: DNA Festival is a grassroots example of DIY community building. With a micro-budget, it grew quickly to be this year’s largest festival in Santa Monica. It is a six-month long decentralized series of art exhibitions, live performances, panel discussions and screenings. It brings together members of the digital arts community, such as:

• LA ACM SIGGRAPH ,
• Bergamot Station Arts Center, the largest enclave of galleries on the West Coast,
• 18th Street Arts Center, the largest cultural non-profit organization in Santa Monica,
• Several branches of Santa Monica College,
• The EZTV Online Museum

For its inaugural years, it is specifically focused on Santa Monica’s “Cultural Corridor,” a roughly 20 block stretch of educational, gallery, performance space and tech companies. In time, we may expand to other cities, although we are proud to be bringing from Europe, three scholars on digital art history. 

Additionally,I would like to thank my DNA Co-Chairs, Robert Berman and Jeff Gordon for the amazing job they have done in making this a reality.

How did your career and life pathway prepare you for where you are now?

This year marks the 45th anniversary of EZTV (not to be confused with the younger bit torrent of the same name) and it’s my 40th year curating digital art. In fact, an early digital art gallery I co-founded back in the early 1990’s, according to London’s Victoria & Albert Museum “literally put digital art on the map.” So my whole career has led to this moment.

I have always believed that art and science are intertwined, informing and inspiring each other. This year is also the massive initiative by the Getty called PST Art: Art & Science Collide!, bringing together over 70 institutions ranging from Santa Barbara to San Diego, and from Palm Springs to Santa Monica. DNA has 7 events as part of PST Art. But I don’t think that ‘art & science collide’, I think they make love.

We have discussed the need for decentralized systems. Why do you believe this is the best way forward? And, what do you think held it back for many years?

Decentralized systems will continue to proliferate and flourish. But we need to be real about what the obstacles are. The decentralized promises of web3, DAO’s (a decentralized autonomous organization,) NFT’s, and the whole blockchain revolution is forced to operate on the most centralized technology the world has ever known, namely the internet. We can never ignore that simple fact, that for the near future, decentralization relies on centralized technology. The realization of the promises of decentralization must be built despite the limitations of being hosted on. centralized framework. And I believe it can. And in time, become more the norm than the exception. But we have a ways to go.

Richard Nixon called Timothy Leary the most dangerous man in America. Why do you think he was so dangerous to Nixon; because he knew the eternal truth?

Nixon feared Leary because Leary represented freedom, and experimentation.  When Leary was serving time in a maximum security prison for possession of one and a half cannabis ‘joints, if I recall correctly, (and the guy in the cell next to him was mass-murderer Charlie Mason), Leary remained free. And in one of the most amazing prison escapes, Leary escapes a maximum security federal penitentiary.

when Leary was serving time in a maximum security prison for possession of one and a half cannabis ‘joints, if I recall correctly, (and the guy in the cell next to him was mass-murderer Charlie Mason), Leary remained free. And in one of the most amazing prison escapes, Leary escapes a maximum security federal penitentiary.

You spent several years with Timothy Leary. What did you learn from this relationship? While there are so many stories, let’s discuss getting past the misinformation…

Leary was among the most generous and humble human beings I have ever known. He would say to me “I don’t want to be your leader, I want to be your cheerleader.” What an amazing sentiment. We first became friends in the strangest way.

In 1987,he had loaned an artist an Amiga Computer, with a very special (and expensive graphics card), for a computer art show I was presenting at EZTV. The computer got stolen, and we didn’t have insurance. I was broke and had no way to pay to replace it. When I told Leary, he was fine about it. He said he had heard that I was very good at making videos, and offered to exchange my video services as a way to pay down my debt. A few months later, a friend of his from Sweden was in town and needed a few hours of editing. I worked with his friend for three hours, and then Leary said my debt to him was paid, and in fact, he gave me a new Amiga computer as well. What a gracious and generous act, and what an amazing human being.

“Outside Looking In: One Last Visit With Dr. Timothy Leary

Directed by Michael J. Masucci

Possibly the last filmed interview with Dr. Timothy Leary shortly before his death. This insightful and often light-hearted portrait of the experiential pioneer were documented by his friends: EZTV’s Michael J. Masucci and Natasha Vita-More.

Footage includes archival videos from Leary’s “How to Operate Your Brain”, multiple live performances at EZTV, and videos by his collaborative partners Retinal Logic, Vertical Blanking, and Hyperdelic Media. The documentary also includes the authorized mash-up re-edit that Leary requested from Vertical Blanking, from footage taken from the Alan Rudolph documentary “Return Engagement”. Also includes live performance footage of Leary’s guests Dr. Fiorella Terenzi and Genesis P-Orridge at EZTV.

This documentary was created at the request of London’s Institute of Contemporary Art where it premiered.

He speaks of Marshall McLuhan often. If the two got together, what do you think they could have created together?

I think that Marshal McLuhan and Leary could have done an amazing lecture tour together, riffing off each other and evolving the conversation as the tour progressed.

With multinationals controlling just about every system imaginable, do you think that it istoo late to build a decentralized network? Or is this the time to do it?

I think that global corporatization, where it is largely private companies and not governments really in control, will be part of the human zeitgeist for many years. They will exist alongside decentralized systems and in many ways will affect the growth of defi, DAOs and other decentralized models, especially in more authoritarian nations.

In your own experience, where do you believe art–and creativity–emerge from?

 I believe that we are essential consciousness, and that everything, good and bad, arises from our essential nature to create. I believe creativity is what it is to be human.

Honoring a friend to millions.

By Steven Jay, Creative Director, Mobilized NEWs

There are greats amongst us who had the courage to take a chance when others played by the rules.  This very unique group of people includes Special Effects Directors such as the late  Douglas Trumbull,  Stanley Kubrick, innovators and inventors such as Thomas Edison, Richard Branson and Nikola Tesla, and Filmmaker Roger Corman.

Roger Corman is known as the King of the B-Movies.  You may have liked or not liked his films.  But what’s important to understand is he’s a man who remained autonomous of “The Machine” and stuck to his code of ethics.  Roger Corman passed away peacefully May 9 at his home in Santa Monica, California.

While big studios refused to give people a change, he inspired and empowered the talent that he discovered.  He gave breaks to Francis Ford Copolla, Jonathan Demme, Jack Nicholson, Ron Howard and countless others.

His legendary yet unique style of the creative process from idea into action, from financing to distribution enabled films that would not have been made by the big studios to cut through the glut of Hollywood’s “Big sized” motion pictures

Not every film had to be a blockbuster.  Not every story had to be sensational.

There is only one man who could have done what Roger Corman has done, given life and hope to those who dreamed of making films, creating art and making a difference.   To that, we say, Thank you, Roger Corman.

In 2005 Roger gave this talk in New York City.  We proudly present it as a celebration of a life well lived.

Thankyou, from all of us.

Steven Jay, Mobilized News

I only met Roger Corman once but felt like I had known him my whole life. I was asked to introduce him when he was giving a keynote at one of Steven’s conferences in 2005. I was deeply honored to introduce him, and Rodger truly seemed moved by my introduction.

I said that I rarely use the word genius, but that I felt such a word truly applied. For among his many achievements, Corman typified better than anyone else in cinema history, the enormous ability to create memorable work in a DIY manner that many now take for granted. Such an early understanding that creating media did not require an enormous corporation, with hundreds of crew members and with seemingly endless budgetary resources, not only inspired, it empowered the diverse, and under-represented creators who needed so much to not only make their own work, but to get it distributed and seen. This was the genius that Corman shared with anyone willing to try.

Among the ways that an artist can influence the world’s heritage, is through exemplary efforts that prove that a certain approach is not only possible, but actionable. He did that and gave the world a blueprint for independent filmmaking that has evolved and grown into many specialized and localized cultural vocabularies, each celebrating the unique character and nuance of the diverse pluralistic and multicultural planet that we all share. It is a rare gift to inspire each to tell their own stories in their own ways, but he did exactly that.

Following his talk, Roger invited me to have lunch together. He was exactly as expected, brilliant, in an unassuming way, open, and curious. He was more concerned about learning about my work, than about speaking about his own. He was gracious and welcoming. I regret that I never tried to follow up on building a friendship, especially as he lived in Santa Monica, where my studio is located, and where I have served as an Arts Commissioner for many years.

But for those who do know his name, ranging from the many titans of the industry who gained their start through him, onto those life myself who he influenced and inspired, as well of all around the world who study his work, we collectively say thank you, Rodger, for a life and job, well done.

Michael J. Masucci
Director, EZTV Online Museum
www.eztvmuseum.com
Co-Founder, DNA Festival Santa Monica
Dnafestival.com
Arts Commissioner, City of Santa Monica.