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Rock and roll transformed for the children’s pallette…

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“Staying true to my heart gives me a constant continuum of a life well-lived. It chooses me.”

Composer/Singer/Multi-Instrumentalist/Producer Ray Andersen, was a full time band member of Meat Loaf, as his guitarist, keyboardist, backup singer, from ’98-’02, touring all of Europe and the US and US and European TV shows.

As part of the Asbury Park NJ Stone Pony house band through most of the 80s, he performed with Bruce Springsteen as his backup band, multiple times, as well as many other events. He’s also played keyboards for rock pioneer, Chuck Berry.

He’s recorded music for many national TV commercials including 20 Publishers Clearing House commercials, recorded in his home studio, and in 2023, he recorded the Linda Ronstadt classic hit, “Different Drum,” for the Netflix Top Ten movie, “The Tutor”, starring Noah Schnapp from Stranger Things.

For over 25 years, he has written and performed music for children and families as Mr. RAY…writing, recording and performing original songs with messages of kindness, inclusion, being creative and staying healthy & active. His streams for kids music was over 9 million in 2024.

He recently composed music for a short documentary called “Vienna: Suddenly an Angel,” which was just included in the Garden State Film Festival in March 2025.

In January 2021, Ray became an Official United Nations NGO (a non-governmental, non-political organization) Representative of Pathways To Peace, on behalf of his musical work and message of kindness, diversity and inclusion, with children… an ambassador of peace through his music.

Let’s get right into it. What makes him tick, so that others can talk.

We first met when you were performing in a rock band.  Let’s talk about the realizations, epiphanies and transformations you dealt with and how you stayed the course…

I started out watching and listening to the Beatles at a very young age. They were truly my very first epiphany of elation through the arts.
They instilled in me the joy of, initially, performing, and then, writing a song.

In my house, my folks were constantly playing Sinatra, Rogers & Hammerstein, Ella & Louie….the American Songbook…and the intoxicating sound of Bossa Nova. That instilled in me a sense of rhythm that had me starting out on drums.

On the TV was Danny Kaye, Dick Van Dyke…folks who transcended age, entertaining ALL ages, and the Ed Sullivan Show, where I witnessed talent from all across the board.

I believe how I eventually made music for children and families was a direct result of that magic potion of rock and roll, and some of the aforementioned musical personalities and genres I took in, as a child. They spoke to me.

And how could this inspire others to rethink, recalibrate and reimagine both career and lifestyle?

Right from the get-go, these artists transported me into a fantasy world, unmatched from any other life stimulant I eventually could’ve indulged in.  It shaped me, put me on the earliest path, in the face of life’s unhealthy temptations, etc. I’m human, and graduated to performing in night clubs and such, so those dark forces of what almost everyone else was imbibing in, didn’t escape me, but ultimately, I realized that they were getting in the way of my muse.”

So, you want to do inspire young people to be kind to one another. How did that work for you and how do you stay true to your vision today?

“I grew up in a house of manners …not just in my home, but my grandparents, cousins, aunts and uncles’ homes. Somewhere along the lifeline, I absorbed the mantra ….”do unto others as you would have done unto you.

Kindness. It’s not utopian, as far as I’m concerned. Not woke.  It’s essential for living. Nourishment for the soul. Not a dessert. It’s THE meal I feel we need to co-exist, as we are not quite doing, presently.  That’s not a political statement.

That’s a human statement.

I’ve lived long enough to have witnessed the downturn trajectory in accepting our differences and finding what we all have in common with each other, instead.”

There is something important to be said about being young and free to express oneself whether either art or music or dance.
How does this translate in the current fear greed and selfish economy?

“Every day that I witness darkness and descent in our world, it drives me to plant my musical seeds of Kindness, Good Manners, Being Creative….to the countless children I entertain, and/or who stream my songs. “

Are there things that people don’t know about you that you that you might share?

“There are, but I really believe that as someone who makes music their life and puts it “out there”, I like to retain aspects of that life that are precious to me. Private. Not a social media party for everyone to take in and judge. That is in no way, a guideline for anyone else, other than myself. I will share an occasional post about my daughter or the reflection on the loss of someone in my life, but social media is basically my way of informing folks about what I’m offering, musically. “

Was there something about growing up in West Orange, New Jersey that inspired you the most to create this new trajectory?

Yes. The second home my family moved into, in New Jersey in the mid-60s, was purchased from songwriters, Carole King and her husband, Gerry Goffin.

Something about that house gave me the utmost drive to develop my craft. Perhaps, the creativity that magical songwriting duo were engaged in, was in the air, in that home.

My bedroom was the room they originally had the piano in, where Carole King has said, besides them creating gems like Pleasant Valley Sunday in, she also started working on melodies and musical passages that later became the iconic album, “Tapestry.”

Also, every summer, all of my neighborhood friends went to sleepaway or day camp…and I was all alone for so many of those summers, leaving me to retreat to my basement and play my instruments, write songs, sing….it was my sanctuary where I simply plowed away. “

Do the epiphanies still manifest?

“Oh my gosh, more than ever. An artist always takes with them, the whole spectrum of their time creating, performing, loving….the beginning, the time in-between, and where they are, spiritually and artistically, in the very moment they exist. It’s like looking at a painting that visually represents the whole sweeping gamut of your life, yet you’re constantly pulling elements from it, to produce your current work. “

Your work is important for the youth of today, the leaders of the future. How do you stay true to your heart and soul to remain curious and enlightened to inspire others?

“Have to say, there’s nothing I do that I need to re-instill a sense of purpose. I do nothing that doesn’t ring true for me. Staying true to my heart gives me a constant continuum of a life well-lived. It chooses me. “

Mr. Ray online

 

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Arts

Does too much technology stifle Creativity?

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It was a day unlike any other day.  But this day was different.

We were glued to our television sets. Black and White. Only three major channels.  ABC. NBC. And tonight it was CBS.

The Ed Sullivan Show, specifically, and while most young girls were screaming passionately at the top of their lungs, the boys were discovering their life paths.  Most boys wanted to be the boys in the band.  And this night, the band was The Beatles.  Yeah, yeah, yeah, most of the guys wanted to be the band because, it was assumed that the band got all the girls. And all the attention.  To this five year old kid, I wanted to be Ed Sullivan. The man who introduced great talent to the world.

I met Beatles’ producer, George Martin at the infamous Sardis restaurant in New York City.  A celebration honoring the return of The Who’s legendary “Tommy” to Broadway.  It was a charity engagement, which charity I do not recall, but I went to have a few words with Pete Townshend, who conceived the rock opera.

Little did I know that one hour into the party, my friend told me about the affair confronted me, telling me that Sir George Martin was ten feet away from where I was standing on the second floor of the restaurant.

“My God! The Father of God!” I thought.

Going over to say hello to him, he asked me if we could talk a bit later.  Naturally, Yes! I’ve waiting my entire life to meet him!

Sir George tapped me on the left shoulder,  “Hello, you wanted to have a word with me?”

I looked at him, shook his hand, introduced myself and said, “I’ve waited over thirty years to say these two words to you!”  He asked for the words:  and said “Thank you!”

He patted my shoulder this time, and said, “Well, Thank you!”

It was all that music we grew up with that I felt compelled to thank him for. Afterall, he produced the soundtrack to my early childhood.

A few years later, I had the idea to ask for an interview.  I wanted to know what made him tick. And these “ticks” made others talk.  I had to know how he came up with such brilliant arrangements, and was the man  who signed the Beatles to EMI.

(more…)

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Arts

Arts and activism: Perfect together.

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Re-imagining media and the arts as a public service:

Michael Masucci, co-director of the pioneering media arts collective EZTV, offers an extraordinary chance to explore the evolution of independent video art, the birth of digital culture, and how media can be a vehicle for radical transformation, equity, and experimental collaboration.

Our conversation is designed to bring forward his decades of innovation at the intersection of art, technology, activism, and community.


 


Experience the uplifting story of EZTV and the importance of  decentralized community media.


The arts has served as a method of traversing cultural barriers and geo-political ideologies and has been the bleeding-edge of innovation in both thought as well as practice.

How can we leverage the enormous potential of the current media tools and the distribution and communication possibilities of those who have access to online experiences?

How can media benefit from the forward-thinking experimental model that art cultivates and preserves?

It is time to re-imagine both how mass pop culture and the more esoteric niche practices in the arts build bridges between seemingly different communities and belief systems.

Michael Masucci, EZTV Media and EZTV Museum, DNA Festival, Santa Monica

Michael J. Masucci is an award-winning artist who has also been curating digital art since 1984, and producing digital and multimedia since 1980. According to the Victoria & Albert Museum, an early digital art gallery he co-created “literally put digital art on the map.” As a founding member of EZTV (eztvmuseum.com) he has collaborated on projects which have been presented at institutions including the Getty Museum, Museum of Modern Art (NY), the Institute of Contemporary Art (London) the Centre Pompidou, Lincoln Center, PBS, UCLA, the School of Visual Arts (NY) New School/Parsons, the University of Helsinki, SIGGRAPH, Disneyland Paris, CalTec, Anthology Film Archives, LA Filmforum, DEFCON, Humanity+, Burning Man, as well as at numerous festivals, and professional conferences. A retrospective of his early video has been staged at REDCAT/Walt Disney Concert Hall Complex,

He has authored articles and spoken on topics ranging from information security, transhumanism, and the role of art in the digital world. His work is included in the permanent collection of USC and UCLA. He has been included in the Getty’s PST in 2011 and 2024 and co-founded DNA Festival Santa Monica and has been profiled in various publications and appeared on a number of podcasts and in several documentaries and is being included in a PHD dissertation on media art. A cisgender man, he helped save an archive of seminal early Queer media art. He has served as Chair of the Santa Monica Arts Commission and is the recipient of four City commendations for his contributions to the arts. He has been an artist-in-residence since 2000 at 18th Street Arts Center. He holds a degree in law and certifications in music production, graphic design, computer coding, entrepreneurship and mediation/conflict resolution.

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Arts

FLIP THE SCRIPT: THE ARTS IN ACTION

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